Monday, 25 February 2013

Mood board



Shot list



Shot List

Shot List

Scene
Shot Number
Description

1


2


3


3

3


4


5

6

7

1


1


1


2

3


 1


       1

1

1

P.O.V shot of Death Note


L/S of target


                    M/S of killers house


M/s of killer walking to his room

P.O.V shot of him writing down
targets info

        P.O.V shot of his phone with
       hitmans name

M/S of meeting with hitman

L/S of hitman identifying target

                 Confrontation between target
                And hitman in the shop

ident-this is a form of a corporate identity

Friday, 15 February 2013

Contingency plan



Contingency Plan
Name: Victor Akindele

Production: REV productions
Potential problems and how to overcome these problems:
Well the potential problems directly associated with us filming our thriller masterpiece could be the location at which we film the footage. We say that we would like to film the thriller during half
term and in school, however the school will be closed during half term and this can be seen as a huge stumbling block. So to solve this obvious problem we would need to film the thriller in perhaps a different location to solve this problem.

Another key problem could be that if we do decide to film the thriller in a different location, eg a street. We would have to be aware of streets which are busy so that this could not potentially hinder the production of the thriller, so in order to solve this problem, we would need to ensure that the street at which we film the thriller masterpiece is not busy and is indeed quiet and peaceful.

Another key problem could be the surface of the ground, if we decide to film in a park, the mud could result in the surface not being solid and reliable, which could potentially hinder the production of the thriller, damage the equipment, and put our safety at risk.

So in order to resolve this key problem is to ensure that if we film in the park, we would need to ensure that the surface is indeed hard and reliable, and we need to ensure that on the day it does not rain, causing mud, and this can be done by checking the weather forecast to know whether it will rain on the proposed day at which we will film our thriller masterpiece.













Costumes and props sheet.



Costumes and Props
Character Name: Victor Akindele
Costume:
Normal outgoing clothes, eg hoody, jeans, t shirt, trainers






Props: Mobile phone school bag
Character Name: Ernest Chima
Costume: Normal outgoing Clothes
eg hoody, t-shirt, trainers, jeans







Props: Mobile phone bottle full of poison (labeled x)
Character Name:Rachel
Costume:
Normal female outgoing clothes, eg jeans, t-shirt, trainers, hoody.






Props: Mobile phone hand bag

Tuesday, 12 February 2013

Treatment sheet

Treatment
Group Roles

Cinematography: Ernest Chima
Mise-en-scene: Victor Akindele
Sound: Ryan Inayat
Editing: Ryan Inayat

: Poison

Tag Line: What doesn’t kill you can only make you stronger Title
Synopsis:
A jealous ex boyfriend sees his former lover with her current lover. The sight of this send him into a fiery rage and he then plots a way to eliminate her new lover so he can once again be reunited with his sweetheart. He is willing to assassinate them using any method possible but ends up resorting to a killing method dating back thousands of years.

                             




Key Genre Conventions:
Romance
Suspense
Cliff-hanger
Red herring
Antagonist
A by the book murder

Interview (Focus Group)

Tuesday, 5 February 2013

Screenshot of my thriller questionnaire


Risk Assessment


Risk Assessment
Group Members:            Victor, Ernest, Ryan                                                                                     Location: outside/inside
Hazard
Person(s) at Risk
Likelihood of Hazard
1 – Extremely Unlikely
5 – Extremely Likely
Severity of Hazard Outcomes
1 – Very Low Risk
5 – Very High Risk
Risk Level
(Likelihood + Severity)
2
Measures to Take to Manage Risk
Risk Managed?
Y/N
Cars and other types of vehicles such as vans, trucks, motorbikes
Members of the public, me and my team, our equipment.
2
4
6
To stay on the pavement at all times, to have people watching the cars and constantly alerting us if a vehicle is approaching,etc.

The weather can undoubtedly be seen as a hazard, if it were to rain our equipment and our health may be in danger.
Me and my team, our equipment.
3
3
6
Unfortunately there aren’t much ways to manage this, apart from bringing an umbrella, and by checking the weather forecast on the eve of the event.

If there is a Busy street, eg if the location at which we are filming is busy with people.
Me and my team, our equipment, the public themselves
3
2
5
We can manage this by simply locate our filming and production in an area where it is not that busy.

If the pavement is very dodgy and not entirely flat
If this is the case, then me and my team, our equipment (eg tripod and camera) and perhaps the general public could be at risk due to this.
2
3
5
We can manage this by filming at a location at which the pavement is flat thus not putting our equipment in danger.


Contacts
Emergency Service:                 
Robert Clack School:                 
Other Contacts:                 

Friday, 1 February 2013

Lighting Task

Preliminary Task

Different types of sound in the world of film

In the world of film, there are many different types of sound, but the main two distinctive types of sound in this industry are diegetic and non-diegetic sound.

Diegetic sound is a term used to describe all types of sound that is visible to the reader, ie the audience will know where the source of the sound is coming from, eg in one of the episodes of EastEnders,  it is visible that a kettle in a kitchen is turned on and is boiling water, the sound at which the kettle makes is diegetic due to the audience knowing where the source of the sound is coming from (the kettle).





Now the opposite of diegetic sound (sound at which the audience knows where the source of the sound is coming from), is non-diegetic sound-this is a term used to describe  any type of sound that is not visible to the audience, ie the audience does not know where the source of the sound is coming from.
Common examples of non diegetic sound are voiceovers- we do not know where the source of the sound is coming from, also the music which starts in the opening credits, again we are unaware where the source of the sound is coming from.